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Dudevant dupin2/19/2023 ![]() Fanchon the Cricket, 1864), and Contes d'une grand'mère (1873, tr. Francis the Waif, 1889), La Petite Fadette (1849, tr. The Haunted Pool, 1890) and Les Maîtres sonneurs (1853) are considered masterpieces. Of her own novels, La Mare au diable (1846, tr. Her first novel, Rose et Blanche (1831), was in collaboration with Jules Sandeau (a shortening of his last name provided her with the pseudonym which she kept all her life), with whom she had previously written articles for the journal Figaro. She demanded for women the freedom in living that was a matter of course to the men of her day. Her liaisons-with Jules Sandeau, Musset, Chopin, and others-were open and notorious, but were only part of her life. Her earlier novels were romantic later ones often expressed her serious concern with social reform. She wrote some 80 novels, which were widely popular in their day, supporting herself and her children chiefly by her writing. In 1831, after eight years of a marriage of convenience with Baron Dudevant, a country squire, she went with her two children to Paris, obtaining a divorce in 1836. After entering a convent in Paris, she returned to the countryside and led an unconventional life, donning the male clothes that became a mark of her rebellion. Born of an aristocratic father and a lower-class mother, she was reared by her austere paternal grandmother on a country estate in Berry. Other variant forms of her maiden name include Amantine Lucile Aurore Dupin. of Amandine Aurore Lucie Dupin, baronne Dudevant (ämäNdēnˈ ôrôrˈ lüsēˈ düpăN, bärônˈ düdväNˈ), 1804–76, French novelist. Sand’s gender-bending boldness made her a hero of social reformers in the late 20th century, but outside of France her impact on Western literature has diminished over the years.Sand, George (sănd, Fr. ![]() Her other titles include The Devil’s Pool (1846), The Country Waif (1850) and, one of her most popular works, Little Fadette (1849). Her writing style is often labeled passionate and emotional, and her dozens of novels include an early period of what might now be called women’s rights stories, a middle period with more emphasis on the downtrodden in general and, finally, a later period of rustic novels informed by her life in rural France. Her early novels, Indiana (1832), Valentine (1832) and Léila (1833), made her a celebrity, and her private life became the talk of Paris: George Sand not only dressed like a man (most of the time), she carried on love affairs with artists of public renown, including poet Alfred de Musset and, more famously, composer Frederic Chopin. ![]() In Paris she cranked out prose and learned that men’s clothing was a lot cheaper, and that, dressed as a man, she had more access to many levels society. Pseudonyms suited her, and she eventually landed on George Sand. She moved to Paris and right away began a career as a writer, her first success coming as the co-author of a novel with Jules Sandean, under the pseudonym Jules Sand. Her husband got the estate and she got an allowance - and the children. They had two children, but by 1831 she was done with him. She married Baron Dudevant when she was eighteen and already heir to her grandmother’s estate. Sand was an audacious woman who dressed like a man, had many high-profile love affairs and, during her lifetime and since, earned a reputation as one of France’s great novelists, rivaled only by Victor Hugo. George Sand was the pseudonym for Aurore Dudevant (neé Dupin), a 19th century French author known for her prolific output of novels, plays and essays and - these days especially - famous for her commitment to flouting fashion and sexual conventions.
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